Writer's Blog

Saturday, December 19, 2009

Pick Up That Pen!

Merry Christmas and Happy Holidays to all!
I've been reflecting on what makes a good writer and I've been reading on writing. What seems to keep coming up is so elementary, but I think it bears repeating: Write.
I have met so many people through the years who told me that they had these great ideas for a story or a screenplay. Some of them told me that ONE DAY they would write it (they never did) or that if I wanted to, I could write it down.
Let me address both these issues: if you are someone with a "great story" that you've been throwing around your cranium for years, than write the freaking thing already! Stop being lazy. Stop blaming Father Time and your family and Global Warming.
Do you watch an hour of television a day? Spend an hour surfing the internet or posting ridiculous garbage on Facebook/Myspace/Twitter each day? Do you spend an hour on a bus or train to and/or fro work? Do your children take a nap? If you answered "Yes" to any of these questions, then you can reprioritize your time and write ONE page a day. In six months you'll have a screenplay. In twelve months you'll have a novel. Don't backtalk me. Shut up and do it.
Item number two: if I want the story, I can write it down. Honestly, my gut reaction to this one is always, If you don't want it, why would I want it? But, that's just fresh. And, you may have an awesome idea and just may be lazy (If that's the case, see the paragraph above). But, in reality, I have my own ideas. Too many of them, in fact. YOU should cultivate your babies. If God gave you an idea, you should bring that inspiration to life. Only you can do justice to your idea as YOU see it. I will only write it as I see it. You may not like my vision at all.
So, just write. Remember, if you have a novel or screenplay already written, you are way ahead of HALF of the "writers" out there right now. So, get moving and join the ranks of creativity with the rest of us.
Please check out my novel Luke Aloysius:  Bloodline on Amazon:

Wednesday, December 2, 2009

The Fun of Research

I began some background research today into Criminal Profiling. I haven't read anything criminology based since I took Criminology many moons ago. Although I didn't find a lot that I could utilize directly in my spec script, I did learn a lot of very interesting information on the fathers of criminal profiling in America and Great Britain.
That's the fun of research. Learning something new and going off in a new direction. I did learn the basics of what profilers look for and what the four subtypes of serial killers are. Those items may be helpful at some point in my writing. Of course, there are also the four profiling phase questions that were interesting as well. . .
So, it wasn't a wasted research period. And, of course, I now have a long list of names and books to turn to of the real big boys of profiling. If you are ever interested in writing about Criminal Profiling, here are the top gentlemen I found to be the most interesting for my personal writing purposes: James A. Brussel who developed what we now know as Criminal profiling, Howard Teten, who helped form the famous BAU in Quantico while building off of Brussel's approach, and Richard Walter and Bob Keppel who interviewed 2,000 murderers, etc. in order to create the subtypes of serial killers. There are many more, but these stood out for me.
Peace!
Please check out my novel Luke Aloysius:  Bloodline on Amazon:

Saturday, November 21, 2009

Outlining

Today I spent most of the afternoon cleaning dirty turtle tanks. The filters were clogged, the rocks had accumulated filth, and the floating turtle docks were beginning to grow algae. It's not my favorite thing in the world to do, but in order to have healthy turtles, they have to have clean houses. It's just something that needs to be done.
Outlining is like that. For the first twenty years of my writing life, I wrote without an outline. When I felt inspired, I wrote until I got tired. Then the next day, I wrote some more. Things were often out of order. At the end of a piece of writing, I spent a lot of time piecing together my writing in order. In effect, I was working backwards. What always ended up happening was that I'd have a scene/chapter or two that didn't fit anywhere that ended up being omitted entirely that I had spent a lot of time on.
Then I went to graduate school. Before writing my thesis paper, I had to take this hellish class called History of Literary Research. Yes, it was as boring as it sounds. The idea behind this class was to look up every single piece of literary research written in English on your proposed thesis topic and write a research paper on it. My thesis was supposed to be on John Donne's Anniversary Poems, so I had to go back through 400 years of literary research in sixteen weeks.
Writing that paper forced me to outline. I had a 45 page paper with a 13 page bibliography. The most boring stuff ever written. If I didn't outline, I never would have gotten the paper done in sixteen weeks.
Oh, and then four days before the due date, my computer crashed from a virus, which had infected both my disc and backup discs.   I lost everything except my original draft dot matrix printout. I begged my professor to give me an extension and wonderful woman she was, she said, "The paper's due on Friday." So, three all nighters and I pulled it off. I nearly had a nervous breakdown.
What I did walk away with from that class was two things: 1. my teacher was a witch and 2. outlining made life easier. And, I'm proud to say, I came to the outlining part on my own.
Ever since then, I force myself to outline, even when I'm dying to write. I remember Robert McKee saying in his Story seminar that once you finish outlining and writing your synopsis, your screenplay will be jumping out of you.
Please check out my novel Luke Aloysius:  Bloodline on Amazon:

Peace!












Wednesday, November 18, 2009

Beginning a Television Spec Script

Television writing. It's a different beast than filmwriting, but one I like to undertake from time to time. It's always good to have a couple of television spec scripts on hand when you're looking for representation. As I wrote in a previous blog, the last spec script I worked on was for the X-Files, so it's time to do something new.
I did get an idea to write a script for Supernatural, but I outlined that and tabled it for now. Instead, I got a better idea for an episode of Criminal Minds.
I decided to do the Criminal Minds episode for a variety of reasons. First and foremost, its a challenge for me and it will stretch my writing skills. I really love the show and I tend to watch it thinking that writing for a show with that level of technical background is out of my comfort zone.
Yet, I have a background in Psychology where I studied Abnormal Psych and Criminology. I just need to do some research and study the written format of the show. A couple of books on Behavioral Analysis and Criminal Profiling should do the trick.
So, comfort zone be gone.
For the past two days I went through Jurgen Wolff & Kerry Cox's book Successful Scriptwriting, focusing on the chapter on hour-long episodes as a refresher. Then I sat down and wrote out the beginning and ending of the episode, as well as major plot points.
My next move will be to outline the 60-page script and just get started.
I'm also going to order a couple Criminal Minds scripts from Script City (1-800-676-2522 or scriptcity.net). I haven't ordered from them in a while due to the pile of screenplays I have from them that I haven't read yet, but I'm assuming they're still around. You can't write a television episode without knowing each show's format. That's why Final Draft has different formats for each of the major television shows built into their software (God, I love Final Draft!)
Get writing!
Please check out my novel Luke Aloysius:  Bloodline on Amazon:

Wednesday, November 11, 2009

Following Syd

Today I was pretty focused and got a lot done that I didn't think I would. I decided to keep myself on track I would follow Syd Field's Writer's Workbook. I've read it before and used some ideas, but I haven't followed it before step by step. But, as I said the other day, I had too many ideas meandering in my mind to find a point to begin.
So, I started with Syd's first two lessons and found my focus (and inspiration) surprisingly fast. I even cranked out a pitch which is usually the most difficult thing for me to do, but for some reason this time I am so clear on what my story is going to be about that the pitch just wrote itself.
As for my query project, that is with my peeps who are reading the two drafts I have and giving me feedback on which one they think is more effective.
Unfortunately, these past couple of blog entries are pretty short, but that's because I'm on a creative streak. I've been pouring my creative juices into this new screenplay. I will try to write more over the next few days.
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I do want to recommend one computer program that I started using that may be helpful to writers wanting to learn a foreign language. I recently purchased Rosetta Stone, Spanish: Latin America and I love it. It really does immerse you in the language. It cuts out the entire "Here is the word in English, now translate." It teaches you the language by throwing you right into the language, no English translation. You really do walk away from the first lesson speaking full phrases. I think learning a foreign language is good for writers for five reasons: first learning another language adds to your characterizations. It's so much better when you can actually write a phrase in French into your espionage screenplay, rather than writing it in English and putting in parenthesis "in French". It just looks more professional.
Second, it makes you more marketable as a writer. You can now speak at conferences in foreign countries, travel abroad to write, or work with foreign actors and directors.
Third, learning a new language makes you smarter. Leonardo DaVinci knew that. It makes you use pathways that are dormant in your brain. It's no surprise that geniuses and highly creative people speak two and three languages. It makes you more creative.
Four, it opens you up to new ideas that are not available in English. I love Umberto Eco, Fellini films, and Italian music, but a lot is lost when it is translated into English. I'm glad I can read and understand the Italian.
Five, foreign languages are soooo sexy. Need I say more?
So there you have it. Go and learn some Swahili. You'll be glad you did!
Please check out my novel Luke Aloysius:  Bloodline on Amazon:


Tuesday, November 10, 2009

Getting Started . . .

I'm back! I had to take a little hiatus there for various reasons, which I'll get into at another time. But, for now, it's time to blog. . .
I've been focusing on three things the past few days: finishing my query brochure, getting inspiration for a new writing project, and researching new writing techniques.
My brochure is pretty complete. I have two versions on which I am getting opinions. Once a final choice is made, I will be off to the copy center. All I need to do now is to get together a mailing list so I know how many copies I'll need to make.
I have a lot of ideas for writing, but I'm having trouble picking an idea to start on. It's not Writer's Block, it's just too many ideas and no starting point. I'll probably have to do some journaling or in depth outlining of some of my ideas to figure out where I want to start now.
I dragged all my screenwriting books out of my library to get ideas on queries, synopses, and starting new screenplays all together. I finally came to the conclusion that with Malice, I'm done. There isn't anymore I need to do at this point other than query, query, query. I just need to trust myself and jump in feet first.
So, that's where I am right now. I'm going start working on some outlining. I'm going to use Syd Field's Screenwriter's Workbook and Bob McKee's Story as a guide in getting started. I'm sure they'll give me tons of ideas. Logging off now; need to create. .

Please check out my novel Luke Aloysius:  Bloodline on Amazon:

Tuesday, November 3, 2009

Thomas Edison's Words of Wisdom

Living in New Jersey, you cannot grow up without taking a class trip at some point to Edison's workshop in Edison, NJ. At that point in time, many years ago, one thing stuck in my mind: the black bread on his desk. They had left everything on Edison's desk as it was on the day he died, including an old piece of bread that had turned black over the years.
Years later it would be a quote of Edison's that always stuck with me. It had taken 10,000 attempts for Edison to make the first light bulb. When asked how he felt about his 10,000 "failures", Edison replied, "I didn't fail. I found 10,000 ways not to make a light bulb."
My next door neighbor (who has since gone to God herself) used to work for Edison. Her response to working for this icon? He was a slob, she said, he used to spit on the floor. That image amused me, rather than horrified me. It humanized the man and enmeshed him more in the time period. I could see him missing the spittoon and then just not even caring after a while.
All this goes back to writing. What may seem like insignificant details about a person, may add a whole new dimension to their personality.
Einstein's quote should be laminated and framed and hung over the computer of every single writer out there. I'm sick of reading about writers who keep their rejection notes on a blackboard or in a book. Who needs such glaring negativity? Unless the note is personalized and contains constructive feedback that you can apply to your writing, there is only one place that rejection letter should go after opened: the shredder. Why are so many writers so masochistic? They write it inspires them. To me, that's like having an angry nun smacking you with a ruler when you color outside the lines or write with your left hand (I'm Catholic, its just an archaic metaphor. . .) You should note somewhere you heard back from them on a list and then CHUCK IT. Be freed of it. Amen.
Then start living by Einstein's philosophy, try to find the other ways to sell your writing. Find what works and what doesn't. If it takes 10,000 tries, so be it. How many light bulbs are in your house right now? Imagine if every home in America had that many pieces of YOUR writing? Hmmmm. . .
Could happen. It happened to Stephen King. He was a substitute teacher, living in a trailer. Look at him now.
Finally, Einstein's workshop is now frozen in time. What moments do you want to freeze in time? Write them. Make them live forever.
Please check out my novel Luke Aloysius:  Bloodline on Amazon:

Monday, November 2, 2009

Total Immersion

I booked my trip to Italy today. Between now and next summer there are two very important things I need to do in order to prepare for this trip: the first is to put aside money for it and the second is to completely immerse myself in the Italian language once again.
I studied Italian in grade school and high school, but I didn't really learn it until I began to study for a translation exam in grad school. A friend of mine tutored me and he got me completely immersed in Italian. I was reading Italian magazines and novels, watching Italian television, and watching Fellini films. Before I knew it, I was understanding and reading without translating from English to Italian. I had completely grasped the Italian.
Then the University went and canceled the Foreign Language Translation requirement.
Whatever.
So, as the years went by, I lost the use of Italiano. But, now I want to be able to finally use it. So I broke out all my books, flashcards, videos, and other foreign language paraphernalia and began to reconnect those synapses in my brain.
The same goes for writing. When you are working on a piece of writing, you have to completely immerse yourself in the process. You need to take time to write, edit, get feedback, look at similar examples of the writing style you are endeavoring in. You also need to make sure your basics are up to par: how is your grammar and spelling? Do you know the proper structure for this piece? When looking for an agent, publishing house, or producer, do you know the proper way to query? Do you know what each individual market requests with submissions? Have you done your homework in these areas?
Do not go blindly into that dark night. There are better writers than you and I who were turned down numerous time who knew the answers to these questions. You need to be prepared. Immerse yourself in the life and work of being a writer. Once you have done this, you will find it easier to write and more opportunities will come your way.
Ironically, last night I wasn't sure what I wanted to work on for today. I knew I wanted to step aside from my query for a day or two because it isn't quite right yet. However, I didn't know what I wanted to work on in the meantime. So, I went to sleep thinking about what I would spend my time doing today.
Then, a funny thing happened: I dreamed an entire outline for a television spec script. I had forgotten I had wanted to work on one, but my subconscious hadn't. Because I had immersed myself in the lifestyle of a writer, my mind kept working when I was fast asleep. When I woke up this morning I sat down and sketched out a basic outline for a Supernatural episode.
The moral is: you never know what will come to you as long as you keep focused on writing.
Please check out my novel Luke Aloysius:  Bloodline on Amazon:

Saturday, October 31, 2009

Viva Italia

The past couple of days I focused on my brochure. I have a good draft done, but I think I still want to change things a bit. I didn't do a lot of other writing, because I was busy thinking about this marketing idea.
Of course, in the middle of my job search, I get a call from the travel agency. The gift certificate I had purchased for my parents a few years back needs to be put toward a trip by the end of November or I lose the money. For various reasons, my parents cannot use it at this time, so the certificate reverts back to me. Normally, I don't mind a free trip, but being "between jobs,"I'm thinking I don't want to be planning an international trip right now.
But, I threw caution to the wind and put it all in God's hands. I've been wanting to go to Italy for 30 years and I guess now's the time. So, I called up my paisan and asked her if she was still interested in a viaggio d'Italia when school's out and she said, "Absolutely."  The verdict: we will be traveling at some point next summer for 15 days to five main Italian towns including Rome, Tuscany, Sorreno, Venezia, and Pisa. We'll also see Pompeii, Padua, and some other cool sites. Although I'll be paying a little bit more than the gift certificate, I figured it could be a once in a lifetime event and since I don't know when I'll ever get back to Italy, I want to see everything I want to see it now.
The moral is that sometimes you have to pay a little bit to get something good to happen and sometimes you have to take a chance and let God take care of everything. When you're writing you need to pay for a course now and then to keep you sharp or perhaps a private editor (a good one). Take risks in your writing and try new things. Don't typecast yourself as just a "horror" writer or just a "romance" writer. Be willing and ready to branch out into other areas. That's the way you'll gather new readers.
Of course, the final lesson is to live the Italian way and that's to live life to its fullest. Remember that as a writer you need to create an entire world for a reader. The best way to do that is to get off your butt, out of the house, and go live life. Travel, see things, try new things, then tell your readers about it. Don't just depend on what you read. Live!
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I hope you all had a wonderful Halloween. You should have either gotten into costume, gone trick-or-treating with some little ones, or have been greeting the neighborhood kiddies at your doorway with a smile on your face. Remember: above all, Halloween is all about the kids. Celebrate the little ones!
Please check out my novel Luke Aloysius:  Bloodline on Amazon:

Thursday, October 29, 2009

The Art Of Overcoming Procrastination

I have to say that I have spent the bulk of my life fighting procrastination. I'm pretty good at getting things done when I need to, but it takes me a lot of work to get there. You see, I am the only daughter of the Queen of Procrastination. As wonderful as my mother is, setting a good example for getting things done on time is something she never did. If there was an event we needed to get to; we'd be late. If cleaning or shopping needs to be done for the holidays, it all got done on Christmas Eve amidst screaming and cursing. If bills need to get paid, the late fee got paid as well.
Luckily, Dad is the typical Type A personality who needs everything done yesterday. How did my parents survive each other with such different personality types for 43 years of marriage? Simple: Dad gets up at 6 am every morning and gets his stuff done and Mom ignores him as she does her crossword puzzles. I'm not saying they don't drive each other crazy sometimes, but the basic plan works for them most of the time.
Needless to say, I picked up some of Dad's habits. Not enough to be anything close to a Type A personality, but enough to be a D-.
Today, my procrastinating, bit me in the butt. I figured I would save my writing for the end of the day since I had some scheduled items to do during the day. Then I had to do a favor for a friend. Then I had to take Mom food shopping because Dad was tied up with house repairs. All of this was not a problem, I was happy to do it. But, at the end of the day, when supper was over, I realized I have no time to write tonight. I'm just exhausted.
So, I forced myself to sit down to at least write this blog. Keep the writing muscle flexed.
And that's the key to overcoming procrastination: do. Just sit and do it. Don't put off for a minute, a day, or a year. Some people say, "I'll wait until I'm retired to write a novel." Why? Between now and retirement you can learn so much more about writing that will make that novel a bestseller if you start writing NOW. All it takes is a page a day. That's all.
Even though I did not get to work on my scheduled work, I did write. Here it is. And this is more than many writers did today. And that puts me one step ahead. What have you written today?
Please check out my novel Luke Aloysius:  Bloodline on Amazon:

Wednesday, October 28, 2009

The Turning of the Scene

This week was an interesting week. On Monday I woke up with a pile of bills and no way to pay them, problems with unemployment, problems with my lousy high-deductible health insurance, and I could not find a job listing I was suited for anywhere. On top of it all, my church had called over the weekend and told me I couldn't volunteer anymore until I resubmitted all my paperwork and got fingerprinted again because they didn't have a file on me (ie: they lost everything).
Monday was not a good day.
I was ready to scream by the end of the day.
But then, today my scene turned. I received my first reimbursement check from the insurance company; they finally fixed everything that was screwed up since February. I went to a Reemployment Meeting at the county and learned I'm eligible to go back to school for free, even though I have a Graduate Degree. I also stopped in at the Unemployment office and found out that my file was wrong in the computer and six checks were released to me by the time I left the office. It seems I will make all my bills on time after all. And I found four new listings for English teachers. Of course I had already resubmitted all my paperwork for volunteering on Monday.
So, things are looking better today.
When writing for film or television, you have to make sure that each of your scenes TURN. They have to go from either negative to positive or positive to negative. That's it. If the scene does not turn, your story is stagnant and your storyline does not move forward.
For example, in Die Hard, Hans Gruber brings Mr. Takagi into his office to demand a code to get into Nakatomi's computer system. The scene starts out with Mr. Takagi in quasi-control as he insists he does not have the code, thereby thwarting Hans from getting into the computer (POSITIVE). However, the scene flips when Hans decides he doesn't want to play nice with Mr. Takagi anymore and shoots him in the head (VERY NEGATIVE). This also lets John McClaine, who is in hiding, realize that he is not dealing with simple terrorists--he's not sure what he's dealing with anymore (NEGATIVE).
Another example: in Casablanca, it appears that Rick is set to flee Casablanca with Ilsa, allowing her husband to be taken by the Nazis (NEGATIVE: not nice giving anyone to Nazis). Instead, Rick makes the ultimate sacrifice by sending Ilsa off with her husband, as it should be, and turns himself over to the Nazis. The surprise is that Captain Renault, not wanting to turn in his gambling buddy, shoots the Nazi and he and Rick wander off into the fog planning their escape, "This could be the start of a beautiful friendship" (POSITIVE: dead Nazi = plus).
Make sure your scenes have that range. People don't want to sit through a scene that goes nowhere. If that were true, we'd all hang out at Aunt Bee's knitting parties and talk about ringworm. Life is interesting because of its ups and downs. Use them.
Please check out my novel Luke Aloysius:  Bloodline on Amazon:

Saturday, October 24, 2009

Miscellaneous Musings

I had this great idea this morning about what to write about in my blog, but then I broke the number one cardinal rule: I didn't make a note of it. I was too busy. The day wore on and hours later after answering e-mail, looking for work, eating dinner, taking a long nap (I'm finishing up antibiotics, okay!), watching Men In Black for the zillionth time, and working on my screenplay, I realize the idea escaped me. Hopefully, it will come back to me over the next couple of days. In the meantime, I decided to share writing related items that I discovered in the past couple of weeks that may be helpful to you all.
The first was a gift from my mother. It's this great little external hard drive, called CLICKFREE, that she ordered for me from either QVC or HSN (her two favorite networks) because she said, I need it. This sucker holds 320 GB and will back up TWENTY computers. The wrappings say its easier than making toast. I thought, Yeah, right, we'll see.
I plugged my Clickfree into my computer, the icon popped up, and nothing happened. I thought, here we go. . . it's broken. I immediately starting reading about troubleshooting. Then my eye was caught by the Clickfree drive box. I clicked on that icon and was shocked to find that every single thing on my computer had saved to the Clickfree drive in less than 30 seconds. Everything: photos, music, film, screenplays, novels, documents, you name it. I am still stunned. This is a must for all writers. It is better than any external saving mechanism I have ever used. AND, when you add new things to your computer, just pop in Clickfree and it saves only the new stuff. It's smart too! Go to clickfree.com. Or, I guess you can search for it on QVC or HSN's websites as well.
The second item I wanted to mention was the book where I'm getting all these essays on writing that I've been talking about lately. When I start writing, the book is usually in another part of the house, so today I made sure to have the title and editor on me. It's called How I Got Published and it's edited by Ray White. I purchased it at Barnes and Nobles for six or seven dollars by the sale items. It's a wonderful text for writers. It's full of stories of how writers got their work read, accepted, and how they crossed from writing as a hobby to writing professionally and full time. While I know some of the writers, many of them are new to me and its exciting to learn about new writers as well. It's a great resource. There are also essays by editor Ray White throughout it like "How to Write a Query." Check it out.
Third, and this isn't new, its an ongoing process: where to find inspiration. A lot of people tell me they can't get started writing or they don't know what to write about. I think they're just afraid to put words on paper, but that's just another story for a psych journal. Here are some ways to inspire yourself to write:
1. Music: I revised my entire screenplay Malice in Medellin listening to Sting's Desert Rose over and over. It had the feel I wanted for the film. I picture the film opening with this song. In a perfect world, the director would choose it. Use a song to get the tone you want for a story. Use a line from a story to begin a scene. Stephen King quotes music all the time in his horror novels. J.K. Rowling and the Twilight author also listen to their favorite music when they write.
2. Art: A brilliant film is What Dreams May Come. A man (Robin Williams) who has passed away is looking for his wife who committed suicide on the "other side," which is a world of art. He actually walks through his wife's painting when he first dies. The title itself is taken from Shakespeare's Hamlet. It's wonderful to see and Williams, as always, is brilliant.
Another good example is Fish Tale (I believe that's the title) where a young man, who was sick of his father's "tall tales" has to go back to bury him. The film perfectly reveals surrealism at its best as this man journeys back to his father and meets his father's unique friends. At the end of the film, the true nature of his father's friends are revealed to him as the young man releases his father into the water at his funeral. His father's body turns into a giant fish and swims away. The symbolism is beautiful.
3. A Moment: I have already written about the importance of the moment in modern writing. Pick a moment in your life that was important and write about it: the birth of your child, the death of a loved one, the first time you tried something new, the last time you were somewhere special, the time you met someone you will never forget. . .
When I was in graduate school I went through a rough spot with my writing. I had a professor who hated everything I wrote and she tore my writing to shreds. She was a nutter. It got to the point that I didn't take any joy in writing anymore and I stopped writing anything that wasn't for school. That was for over a year.
Then I lost my Grandmother.
I was pretty close with my Grandmother. She moved in with us at the end of her life and every day I came home from school or work, she was there and we'd talk and laugh. I knew we were on borrowed time, but I pushed that to the back of my head because she appeared to be healthy, even though 90% of her arteries were blocked.
After she passed, I needed to deal with my loss. I never look at death as final; I knew I'd see her one day again, but for now and for the rest of this life, I would miss her. So, I sat down and did something I rarely did.
I wrote poetry.
I don't remember what I wrote or if it was even any good. But, what I do remember is that it opened a door for me and I kept writing. I didn't have to write to please Crazy Shakespeare Lady or anybody else. I had to write for me.
The moment of losing my Grandmother became a catharsis for me. It didn't matter what came out right then. What mattered was that I kept on writing.
And that's what we need to do. Keep on writing. No matter what anyone says. Someday, someone will read it.
Please check out my novel Luke Aloysius:  Bloodline on Amazon:

Thursday, October 22, 2009

Become a Yogi

On Wednesday I took my first Yoga class in four years. I admit I was a little nervous. I know I'm out of shape, I can no longer do a back bend or handstand, and too much stress on my back, neck or arms can trigger serious migraines and a trip to the ER. Yet, I was determined to try.
So, I went back to my Yoga studio to find that it is under new ownership with all new teachers. The result? I had a wonderful experience. My new teacher, the new owner, is quite excellent. She is able to hone in on what each individual in the class needs. When she walked over to help me with my back bend exercise and I informed her that I haven't done a back bend in four years, she immediately modified my exercise. To my surprise, I was doing a back bend against the wall by the end of class without any stress to my body and without any migraines.
What the instructor stressed was that it was important in Yoga to savor where you are in each pose, not to worry about what you aren't doing or what you can't do. Of course, that got me thinking about writing. I had been reading an essay on writing where a writer was told by his agent to write a 500 page book, which he thought to be an impossible task since he had only written short stories up until that point. Then he got to thinking and he thought he could write three pages. And the next day he could write another three. By his calculations, he could have that novel written in six months.
Of course there is also the Buddhist saying that "A journey of a thousand miles begins with a single step."
The problem with finishing any writing task is actually sitting down and beginning it for most people. They fret too much about the entire mind-boggling task itself instead of focusing on just a portion at a time.
Three pages a day. Or one. If you write one page, I'll bet you'll write more. Once you get going, you'll be a master.
Please check out my novel Luke Aloysius:  Bloodline on Amazon:


Tuesday, October 20, 2009

What's Better Left Unsaid

A higher level writing technique (and acting) involves subtext. What is not being said. When is an everyday conversation just an everyday conversation or when is it about something else? What is involved in people's conversations? How much do you need to say and how much is too much information and deliberately "pointing?"
A simple phrase such as, "That's a nice pen" can be the center of an entire scene or conflict. What if the pen is the final case breaking clue in a murder? What if the pen is being used as a line-opener in a Romantic Comedy? Or, in Seinfeld's case, what if your father's crazy Florida neighbor uses it against you later when he forces you to take the pen and then later tells everyone about the nerve you had?
A great television show that is all subtext is Mad Men. The writing on this show is exquisite. What seem to be on the surface simple every day conversations with family and friends reveals deeper conflicts in relationships and in the character's individual lives. Watch any conversation between Betty and Don Draper and you can see the constant tension in their marriage. Betty is an ice queen and Don is a liar. Both are adulterers. On the surface, they appear to be the perfect couple with the typical home life, but the subtext shows us so much more. It is what is unsaid between them that keeps the viewer riveted.
When writing dialogue, its best to go through your drafts to make sure you're not saying more than you need to. Can you cut your dialogue by half? Remember, some of the most memorable lines in books and film are just that. . .lines. What if James Bond said, "Shaken, over the rocks, not stirred, add a swizzle stick, and an olive, Love." Not as catchy as, "Shaken, not stirred," is it? And what if Bogey said, "Play it, Sam until I cry my eyes out in my gin or fall on the floor unconscious." A little too much. . .
Remember, less is more. Let your readers use their imaginations.
Please check out my novel Luke Aloysius:  Bloodline on Amazon:

Monday, October 19, 2009

Oz

I have a friend in Australia that I've been writing to since we were thirteen. (I won't tell you how many years we've been writing, but it's been a while). The nice thing about having a pen-pal from such a young age, other than building a life-long friendship with an extraordinary person, is that it gets you interested in a new and different place. Because of my friendship with Tina, I became a huge fan of everything Australia. My belief is if it's from Australia, it's gotta be good.
When I was younger, I listened to Men at Work and Olivia Newton John. Tina introduced me to an entirely new repertoire of Australian music as well. I became very interested in learning about Australia's states and culture, particularly the Aboriginal culture itself. I knew about the release of Crocodile Dundee before it hit the United States because Tina had written me about it. And I was a fan of Paul Hogan way before the movie was ever made because I always remembered him as the guy in the Quantas commercials.
After graduating college, I journeyed to Australia to meet her. It was a wonderful trip (even though I screwed up the arrival date and she came the day before to the airport for us. My fault entirely. Doy.) Australia was bidding for the Olympics that year. They won. I visited Cairns, Queensland and Sydney, Australia with a side trip to Wollongong. I saw all the major tourist spots and then went to search for my favorite critters: crocodiles.
A year later an amazing man named Steve Irwin would hit the airwaves in the United States. I felt I had found a soul mate. There was someone else who called reptiles "Beautiful" other than me. I never would have believed that less than a decade later, I'd be mourning the loss of this beautiful soul with the rest of the world.
And then there's the Wiggles. My friend told me about them first because her daughter watched them. Then I saw them at Australia Zoo on television. They were Australian, so I was hooked. Now, the Wiggles are something I share with my two year old Goddaughter. Ironically, her favorite Wiggles video is Wiggles Safari with Steve Irwin and his family.
I also sing her the Kookaburra song. I think I've passed on some good things to her. None of which would have come into my life if it wasn't for a 13 year old girl, now a lovely woman, named Christina.
Thankfully, I kept notes of my trip to Australia. A lot of those memories became the basis of my third screenplay, A Kangaroo in the Hand. Maybe one day it will make it to the screen and reach over to Tina as well.
For now, I will concentrate on my rewrite of it. It was Tina, after all, who after seeing Point Break said (about the actor in the final scene), "That was the worst Australian accent I ever heard." I want to do this one right. I don't want to let her. . .or my other Ozzie mates. . . down.
Kookaburra sits on the old gum tree
Merry, merry king of the bush is he
Laugh! Kookaburra! Laugh! Kookaburra!
Gay your life must be. . .
Please check out my novel Luke Aloysius:  Bloodline on Amazon:

Saturday, October 17, 2009

Learning an Art

I recently took up the art of jewelry making. I did it for a multitude of reasons, but mostly because I needed something to pass the time between jobs. When I began a couple of months ago, I fought a little with the jewelry I was working on. The chain mail I attempted was just not looking right and had to be pulled apart several times. The necklace I had strung broke the moment I had put it on.
I began to read up on it more and more and gather ideas. I learned how to make the proper jewelry knots. I found a way to make chain mail that was easiest for me. The result is that I have a pile of completed pieces and family and friends are putting in requests.
I was blessed with the ability to always be able to write. I've never had writer's block. Some days I fought against sitting down and starting to write, but I was never at a loss for ideas or how to start. There's just too much bouncing around in my brain.
But, what I did have to learn is the art of writing. I had to learn what made a story a story and how to craft that story. Luckily, I learned that pretty young. I was an avid reader all my life and knew all about a five-act structure before it was even taught to me in High School.
What I didn't know then was that there are three-act structures. And four-acts. A screenplay is different from a play. An hour long episodic is crafted differently than a half-hour comedy. These all have their own individual forms, styles, and feels. I needed to read up on them, read examples, and then study them from copy to screen.
After graduating with a M.A., I thought I knew everything there was to know about story structure. Then I took Robert McKee's Story Structure class. The first day recapped everything I already knew about writing from college and graduate school. It was a good refresher. The second and third day, which included a frame by frame film study of Casablanca, blew me away. I was amazed at how much I didn't know and I was very glad I had taken the course. Since then, I've taken McKee's Comedy workshop and Thriller workshop as well. They were equally outstanding. There's a reason why he's called the "screenwriter's guru." I highly recommend them all.
Don't rest on your laurels. Keep learning. My favorite college professor and friend, Dr. Douglas Schwegel, used to love to quote the philosopher (I believe it was Aristotle) who said education is like climbing a mountain. You climb and climb and eventually you will reach a plateau, only to find there is much, much more mountain to tackle.
Not a day goes by where I don't try to learn. I'm addicted to it. I think its part of the reason why we're here on Earth. And, in this day and age, with the entire world easily accessible to us, there is so much to learn!
The more you learn about writing, the better a writer you'll be. The more you learn about anything else, the more interesting your writing will be.
Please check out my novel Luke Aloysius:  Bloodline on Amazon:


Friday, October 16, 2009

Be An Original

If you're ever looking for a different book to read and want something that has a strong literary base as well, read The Famished Road by Ben Okri. It's a wonderful South African fiction novel about a young boy who is an abiku. An abiku is the spirit of a child that is born over and over again to the same woman only to die again before the age of five. The abiku child is almost like a curse because he or she can drive his mother insane with grief from miscarriages and the death of young children. In The Famished Road, the main character is an abiku child who lives past the age of five, but can see the spirit world all around him. I can tell you I have never in my life read a novel like it.
And, having a Masters in Literature, I've read a lot of novels.
I thought about The Famished Road today because Ben Okri was quoted on an older episode of Criminal Minds tonight. (One of the things I love about Criminal Minds is that they quote the best novelists that ever lived in the beginning and end of each brilliant episode).
It made me think of originality. What is it that makes some works so outstanding in originality, while others are just cookie cutter copies? I believe that originality lies in the origin of the creation: you. If you write what you know, just like they've been pounding in your head all these years, you will absolutely have an original work.
My screenplays are very original, even when I'm doing a lot of research to back it up. There is a part of me in each of my characters, along with my personal experiences. My entire script, The P.A. is based on my experiences working on film sets either as an actress or as a member of the production crew. The main character in the screenplay I'm working on now, A Kangaroo in the Hand is modeled (loosely) on a Vietnam Vet I met riding the Sydney railroad back in the early 90s.
J.K. Rowling wrote the Harry Potter books for her own amusement. She was just happy to get The Philosopher's/Sorcerer's Stone published. It's the most original fantasy work I've ever read.
If I were to say: think about a horror story set in Maine. . . I'd be shocked if Stephen King doesn't pop into your mind. He's cornered the market on that original genre.
So, what story is in you? What do you have to tell or teach?
Please check out my novel Luke Aloysius:  Bloodline on Amazon:

Cheerio!

Wednesday, October 14, 2009

Advertise

'Tis that season again. My little cousin had popped over to show off his awesome Halloween costume and I knew that the season was upon us.
Well, actually, he was just the final omen. The omens begin in my neighborhood when the ghosties, jack-o-lanterns, spiders, and witches begin to adorn all my neighbors homes. Then, the Halloween house goes up at the top of my street.
Every year, one of my neighbors goes all out. They build a haunted house on their front lawn complete with spooky sounds and dry ice. Their entire family dresses up as different "scary" characters to greet the public and hand out candy to delighted kiddies. Last year, the Riddler guarded the haunted house with his Tommy-gun while Frankenstein snuck up on unsuspecting visitors. My one-year old Goddaughter (dressed as a froggie), was delighted to shake Frank's giant green hand!
My neighbors have no problem advertising the coming of seasons and holidays. Every holiday turns our street into the Las Vegas strip with blinking lights of appropriate holiday color, giant blow-up figures, and decorations of all types from hand made to custom made. My best friend always asks me, "What's wrong with your neighbors? The holiday's a month and a half away." She thinks they're competing. And, maybe they are. But, knowing my neighbors, I know they are celebrating and advertising the coming season.
You should advertise your work as well. Create a website to showcase your work or resume. When sending out queries, include your website, blog address, and any other internet address that is relevant. On my letters I include my blog address and the address for inktip, noting that my work is posted there.
If you have a work published, you should be out there hawking it as well. What markets would read your book? Contact your publisher or agent and see what they think about you contacting other markets.
If you are on a website related to what you have written, post the name of your book under comments. Someone will see it.
If you have written something new and its available to the public, you should send out a mass email to everyone on your email list, facebook, and twitter. (And whatever else you subscribe to). If you won't advertise for yourself, who will?

Peace! Watch out for Wolverine!
Please check out my novel Luke Aloysius:  Bloodline on Amazon:

Monday, October 12, 2009

Research, research, research . . .

Tonight I am logging on again after CSI: Miami. What can I say? I have an addiction. It's better than many other addictions, you have to admit. I enjoy the show for a multitude of reasons including: excellent stories, a phenomenal cast, and beautiful shots of Miami. (I never had a desire to go to Miami until I started watching!) As I was watching, it occurred to me that I should take some time to blog about the importance of research in writing.
How did I make this connection from watching late night television, one may ask? Well, two reasons. The first is obvious: the writers of CSI: Miami have to know what they are writing about. You cannot fake forensic medicine. There are enough people out there who have taken some college biology and/or chemistry to understand what's going on. The second is what goes on behind the scenes: the nefarious tabloids and paparazzi. Being a fan of the show, if I see an article about any of the starring characters, I will read it. Sadly, and I am embarrassed to admit this, this sometimes includes tabloid articles I "stumble" upon.
In one such tabloid article (which I never take as Bible due to the source), it said that Emily Proctor hated working with David Caruso and that they would no longer be filming scenes together because he made her sick. (Poor Red!) I thought that if that were true, that would be sad because they seemed to work off each other so well.
Today, I read another article which included an interview with Emily Proctor where she states how funny David Caruso is in real life. That certainly doesn't sound like hatred to me. And, in another television interview, she talked about his "brilliant" portrayal of Horatio Caine and how he made the show what it now is.
Research. You need to get your facts straight, whether its a column, story, screenplay, or book. It doesn't matter. If you have wrong information in there, someone will know and they will call you on it.
I learned this the hard way. Years ago I wrote a Letter to the Editor that ended up appearing in different papers nationwide commemorating my Great Uncle Steve Hamas, a former boxer. The letter received all kinds of attention from all over the United States and I was pleased to receive copies of articles, pictures, and even a film reel of Uncle Steve boxing from other boxing fans.
So, what was the problem? Well, Uncle Steve had passed away when I was little and I have bits and pieces of memories of him. When I wrote my article, I wrote that Uncle Steve spent the last years of his life in a wheelchair.
He did not.
I had confused him with another member of the family. I did not check my memories with my parents because I wanted to surprise them with the letter.
The boxing fans I spoke to afterward said, "I never knew Steve was in a wheelchair" and, luckily, when I explained the mistake, they didn't seem to care. They were just fascinated to be speaking to a surviving relative. My parents didn't bat an eye. They thought the letter was touching.
But then the responding Letter to the Editor from South Carolina came in the following week.
Apparently, I had a distant cousin out there who remembered Uncle Steve better than I did.
Boy, was he mad.
Let's just say he pointed out my error, called me anti-American, and I think he cut me out of his family tree.
I never forgot that mistake and since then, I've been overly anal about research.
I may not have first hand experience in everything I write, but I research, I interview, and I get people who do know the area I'm writing about to read for me.
Please check out my novel Luke Aloysius:  Bloodline on Amazon: