Writer's Blog

Saturday, October 31, 2009

Viva Italia

The past couple of days I focused on my brochure. I have a good draft done, but I think I still want to change things a bit. I didn't do a lot of other writing, because I was busy thinking about this marketing idea.
Of course, in the middle of my job search, I get a call from the travel agency. The gift certificate I had purchased for my parents a few years back needs to be put toward a trip by the end of November or I lose the money. For various reasons, my parents cannot use it at this time, so the certificate reverts back to me. Normally, I don't mind a free trip, but being "between jobs,"I'm thinking I don't want to be planning an international trip right now.
But, I threw caution to the wind and put it all in God's hands. I've been wanting to go to Italy for 30 years and I guess now's the time. So, I called up my paisan and asked her if she was still interested in a viaggio d'Italia when school's out and she said, "Absolutely."  The verdict: we will be traveling at some point next summer for 15 days to five main Italian towns including Rome, Tuscany, Sorreno, Venezia, and Pisa. We'll also see Pompeii, Padua, and some other cool sites. Although I'll be paying a little bit more than the gift certificate, I figured it could be a once in a lifetime event and since I don't know when I'll ever get back to Italy, I want to see everything I want to see it now.
The moral is that sometimes you have to pay a little bit to get something good to happen and sometimes you have to take a chance and let God take care of everything. When you're writing you need to pay for a course now and then to keep you sharp or perhaps a private editor (a good one). Take risks in your writing and try new things. Don't typecast yourself as just a "horror" writer or just a "romance" writer. Be willing and ready to branch out into other areas. That's the way you'll gather new readers.
Of course, the final lesson is to live the Italian way and that's to live life to its fullest. Remember that as a writer you need to create an entire world for a reader. The best way to do that is to get off your butt, out of the house, and go live life. Travel, see things, try new things, then tell your readers about it. Don't just depend on what you read. Live!
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I hope you all had a wonderful Halloween. You should have either gotten into costume, gone trick-or-treating with some little ones, or have been greeting the neighborhood kiddies at your doorway with a smile on your face. Remember: above all, Halloween is all about the kids. Celebrate the little ones!
Please check out my novel Luke Aloysius:  Bloodline on Amazon:

Thursday, October 29, 2009

The Art Of Overcoming Procrastination

I have to say that I have spent the bulk of my life fighting procrastination. I'm pretty good at getting things done when I need to, but it takes me a lot of work to get there. You see, I am the only daughter of the Queen of Procrastination. As wonderful as my mother is, setting a good example for getting things done on time is something she never did. If there was an event we needed to get to; we'd be late. If cleaning or shopping needs to be done for the holidays, it all got done on Christmas Eve amidst screaming and cursing. If bills need to get paid, the late fee got paid as well.
Luckily, Dad is the typical Type A personality who needs everything done yesterday. How did my parents survive each other with such different personality types for 43 years of marriage? Simple: Dad gets up at 6 am every morning and gets his stuff done and Mom ignores him as she does her crossword puzzles. I'm not saying they don't drive each other crazy sometimes, but the basic plan works for them most of the time.
Needless to say, I picked up some of Dad's habits. Not enough to be anything close to a Type A personality, but enough to be a D-.
Today, my procrastinating, bit me in the butt. I figured I would save my writing for the end of the day since I had some scheduled items to do during the day. Then I had to do a favor for a friend. Then I had to take Mom food shopping because Dad was tied up with house repairs. All of this was not a problem, I was happy to do it. But, at the end of the day, when supper was over, I realized I have no time to write tonight. I'm just exhausted.
So, I forced myself to sit down to at least write this blog. Keep the writing muscle flexed.
And that's the key to overcoming procrastination: do. Just sit and do it. Don't put off for a minute, a day, or a year. Some people say, "I'll wait until I'm retired to write a novel." Why? Between now and retirement you can learn so much more about writing that will make that novel a bestseller if you start writing NOW. All it takes is a page a day. That's all.
Even though I did not get to work on my scheduled work, I did write. Here it is. And this is more than many writers did today. And that puts me one step ahead. What have you written today?
Please check out my novel Luke Aloysius:  Bloodline on Amazon:

Wednesday, October 28, 2009

The Turning of the Scene

This week was an interesting week. On Monday I woke up with a pile of bills and no way to pay them, problems with unemployment, problems with my lousy high-deductible health insurance, and I could not find a job listing I was suited for anywhere. On top of it all, my church had called over the weekend and told me I couldn't volunteer anymore until I resubmitted all my paperwork and got fingerprinted again because they didn't have a file on me (ie: they lost everything).
Monday was not a good day.
I was ready to scream by the end of the day.
But then, today my scene turned. I received my first reimbursement check from the insurance company; they finally fixed everything that was screwed up since February. I went to a Reemployment Meeting at the county and learned I'm eligible to go back to school for free, even though I have a Graduate Degree. I also stopped in at the Unemployment office and found out that my file was wrong in the computer and six checks were released to me by the time I left the office. It seems I will make all my bills on time after all. And I found four new listings for English teachers. Of course I had already resubmitted all my paperwork for volunteering on Monday.
So, things are looking better today.
When writing for film or television, you have to make sure that each of your scenes TURN. They have to go from either negative to positive or positive to negative. That's it. If the scene does not turn, your story is stagnant and your storyline does not move forward.
For example, in Die Hard, Hans Gruber brings Mr. Takagi into his office to demand a code to get into Nakatomi's computer system. The scene starts out with Mr. Takagi in quasi-control as he insists he does not have the code, thereby thwarting Hans from getting into the computer (POSITIVE). However, the scene flips when Hans decides he doesn't want to play nice with Mr. Takagi anymore and shoots him in the head (VERY NEGATIVE). This also lets John McClaine, who is in hiding, realize that he is not dealing with simple terrorists--he's not sure what he's dealing with anymore (NEGATIVE).
Another example: in Casablanca, it appears that Rick is set to flee Casablanca with Ilsa, allowing her husband to be taken by the Nazis (NEGATIVE: not nice giving anyone to Nazis). Instead, Rick makes the ultimate sacrifice by sending Ilsa off with her husband, as it should be, and turns himself over to the Nazis. The surprise is that Captain Renault, not wanting to turn in his gambling buddy, shoots the Nazi and he and Rick wander off into the fog planning their escape, "This could be the start of a beautiful friendship" (POSITIVE: dead Nazi = plus).
Make sure your scenes have that range. People don't want to sit through a scene that goes nowhere. If that were true, we'd all hang out at Aunt Bee's knitting parties and talk about ringworm. Life is interesting because of its ups and downs. Use them.
Please check out my novel Luke Aloysius:  Bloodline on Amazon:

Saturday, October 24, 2009

Miscellaneous Musings

I had this great idea this morning about what to write about in my blog, but then I broke the number one cardinal rule: I didn't make a note of it. I was too busy. The day wore on and hours later after answering e-mail, looking for work, eating dinner, taking a long nap (I'm finishing up antibiotics, okay!), watching Men In Black for the zillionth time, and working on my screenplay, I realize the idea escaped me. Hopefully, it will come back to me over the next couple of days. In the meantime, I decided to share writing related items that I discovered in the past couple of weeks that may be helpful to you all.
The first was a gift from my mother. It's this great little external hard drive, called CLICKFREE, that she ordered for me from either QVC or HSN (her two favorite networks) because she said, I need it. This sucker holds 320 GB and will back up TWENTY computers. The wrappings say its easier than making toast. I thought, Yeah, right, we'll see.
I plugged my Clickfree into my computer, the icon popped up, and nothing happened. I thought, here we go. . . it's broken. I immediately starting reading about troubleshooting. Then my eye was caught by the Clickfree drive box. I clicked on that icon and was shocked to find that every single thing on my computer had saved to the Clickfree drive in less than 30 seconds. Everything: photos, music, film, screenplays, novels, documents, you name it. I am still stunned. This is a must for all writers. It is better than any external saving mechanism I have ever used. AND, when you add new things to your computer, just pop in Clickfree and it saves only the new stuff. It's smart too! Go to clickfree.com. Or, I guess you can search for it on QVC or HSN's websites as well.
The second item I wanted to mention was the book where I'm getting all these essays on writing that I've been talking about lately. When I start writing, the book is usually in another part of the house, so today I made sure to have the title and editor on me. It's called How I Got Published and it's edited by Ray White. I purchased it at Barnes and Nobles for six or seven dollars by the sale items. It's a wonderful text for writers. It's full of stories of how writers got their work read, accepted, and how they crossed from writing as a hobby to writing professionally and full time. While I know some of the writers, many of them are new to me and its exciting to learn about new writers as well. It's a great resource. There are also essays by editor Ray White throughout it like "How to Write a Query." Check it out.
Third, and this isn't new, its an ongoing process: where to find inspiration. A lot of people tell me they can't get started writing or they don't know what to write about. I think they're just afraid to put words on paper, but that's just another story for a psych journal. Here are some ways to inspire yourself to write:
1. Music: I revised my entire screenplay Malice in Medellin listening to Sting's Desert Rose over and over. It had the feel I wanted for the film. I picture the film opening with this song. In a perfect world, the director would choose it. Use a song to get the tone you want for a story. Use a line from a story to begin a scene. Stephen King quotes music all the time in his horror novels. J.K. Rowling and the Twilight author also listen to their favorite music when they write.
2. Art: A brilliant film is What Dreams May Come. A man (Robin Williams) who has passed away is looking for his wife who committed suicide on the "other side," which is a world of art. He actually walks through his wife's painting when he first dies. The title itself is taken from Shakespeare's Hamlet. It's wonderful to see and Williams, as always, is brilliant.
Another good example is Fish Tale (I believe that's the title) where a young man, who was sick of his father's "tall tales" has to go back to bury him. The film perfectly reveals surrealism at its best as this man journeys back to his father and meets his father's unique friends. At the end of the film, the true nature of his father's friends are revealed to him as the young man releases his father into the water at his funeral. His father's body turns into a giant fish and swims away. The symbolism is beautiful.
3. A Moment: I have already written about the importance of the moment in modern writing. Pick a moment in your life that was important and write about it: the birth of your child, the death of a loved one, the first time you tried something new, the last time you were somewhere special, the time you met someone you will never forget. . .
When I was in graduate school I went through a rough spot with my writing. I had a professor who hated everything I wrote and she tore my writing to shreds. She was a nutter. It got to the point that I didn't take any joy in writing anymore and I stopped writing anything that wasn't for school. That was for over a year.
Then I lost my Grandmother.
I was pretty close with my Grandmother. She moved in with us at the end of her life and every day I came home from school or work, she was there and we'd talk and laugh. I knew we were on borrowed time, but I pushed that to the back of my head because she appeared to be healthy, even though 90% of her arteries were blocked.
After she passed, I needed to deal with my loss. I never look at death as final; I knew I'd see her one day again, but for now and for the rest of this life, I would miss her. So, I sat down and did something I rarely did.
I wrote poetry.
I don't remember what I wrote or if it was even any good. But, what I do remember is that it opened a door for me and I kept writing. I didn't have to write to please Crazy Shakespeare Lady or anybody else. I had to write for me.
The moment of losing my Grandmother became a catharsis for me. It didn't matter what came out right then. What mattered was that I kept on writing.
And that's what we need to do. Keep on writing. No matter what anyone says. Someday, someone will read it.
Please check out my novel Luke Aloysius:  Bloodline on Amazon:

Thursday, October 22, 2009

Become a Yogi

On Wednesday I took my first Yoga class in four years. I admit I was a little nervous. I know I'm out of shape, I can no longer do a back bend or handstand, and too much stress on my back, neck or arms can trigger serious migraines and a trip to the ER. Yet, I was determined to try.
So, I went back to my Yoga studio to find that it is under new ownership with all new teachers. The result? I had a wonderful experience. My new teacher, the new owner, is quite excellent. She is able to hone in on what each individual in the class needs. When she walked over to help me with my back bend exercise and I informed her that I haven't done a back bend in four years, she immediately modified my exercise. To my surprise, I was doing a back bend against the wall by the end of class without any stress to my body and without any migraines.
What the instructor stressed was that it was important in Yoga to savor where you are in each pose, not to worry about what you aren't doing or what you can't do. Of course, that got me thinking about writing. I had been reading an essay on writing where a writer was told by his agent to write a 500 page book, which he thought to be an impossible task since he had only written short stories up until that point. Then he got to thinking and he thought he could write three pages. And the next day he could write another three. By his calculations, he could have that novel written in six months.
Of course there is also the Buddhist saying that "A journey of a thousand miles begins with a single step."
The problem with finishing any writing task is actually sitting down and beginning it for most people. They fret too much about the entire mind-boggling task itself instead of focusing on just a portion at a time.
Three pages a day. Or one. If you write one page, I'll bet you'll write more. Once you get going, you'll be a master.
Please check out my novel Luke Aloysius:  Bloodline on Amazon:


Tuesday, October 20, 2009

What's Better Left Unsaid

A higher level writing technique (and acting) involves subtext. What is not being said. When is an everyday conversation just an everyday conversation or when is it about something else? What is involved in people's conversations? How much do you need to say and how much is too much information and deliberately "pointing?"
A simple phrase such as, "That's a nice pen" can be the center of an entire scene or conflict. What if the pen is the final case breaking clue in a murder? What if the pen is being used as a line-opener in a Romantic Comedy? Or, in Seinfeld's case, what if your father's crazy Florida neighbor uses it against you later when he forces you to take the pen and then later tells everyone about the nerve you had?
A great television show that is all subtext is Mad Men. The writing on this show is exquisite. What seem to be on the surface simple every day conversations with family and friends reveals deeper conflicts in relationships and in the character's individual lives. Watch any conversation between Betty and Don Draper and you can see the constant tension in their marriage. Betty is an ice queen and Don is a liar. Both are adulterers. On the surface, they appear to be the perfect couple with the typical home life, but the subtext shows us so much more. It is what is unsaid between them that keeps the viewer riveted.
When writing dialogue, its best to go through your drafts to make sure you're not saying more than you need to. Can you cut your dialogue by half? Remember, some of the most memorable lines in books and film are just that. . .lines. What if James Bond said, "Shaken, over the rocks, not stirred, add a swizzle stick, and an olive, Love." Not as catchy as, "Shaken, not stirred," is it? And what if Bogey said, "Play it, Sam until I cry my eyes out in my gin or fall on the floor unconscious." A little too much. . .
Remember, less is more. Let your readers use their imaginations.
Please check out my novel Luke Aloysius:  Bloodline on Amazon:

Monday, October 19, 2009

Oz

I have a friend in Australia that I've been writing to since we were thirteen. (I won't tell you how many years we've been writing, but it's been a while). The nice thing about having a pen-pal from such a young age, other than building a life-long friendship with an extraordinary person, is that it gets you interested in a new and different place. Because of my friendship with Tina, I became a huge fan of everything Australia. My belief is if it's from Australia, it's gotta be good.
When I was younger, I listened to Men at Work and Olivia Newton John. Tina introduced me to an entirely new repertoire of Australian music as well. I became very interested in learning about Australia's states and culture, particularly the Aboriginal culture itself. I knew about the release of Crocodile Dundee before it hit the United States because Tina had written me about it. And I was a fan of Paul Hogan way before the movie was ever made because I always remembered him as the guy in the Quantas commercials.
After graduating college, I journeyed to Australia to meet her. It was a wonderful trip (even though I screwed up the arrival date and she came the day before to the airport for us. My fault entirely. Doy.) Australia was bidding for the Olympics that year. They won. I visited Cairns, Queensland and Sydney, Australia with a side trip to Wollongong. I saw all the major tourist spots and then went to search for my favorite critters: crocodiles.
A year later an amazing man named Steve Irwin would hit the airwaves in the United States. I felt I had found a soul mate. There was someone else who called reptiles "Beautiful" other than me. I never would have believed that less than a decade later, I'd be mourning the loss of this beautiful soul with the rest of the world.
And then there's the Wiggles. My friend told me about them first because her daughter watched them. Then I saw them at Australia Zoo on television. They were Australian, so I was hooked. Now, the Wiggles are something I share with my two year old Goddaughter. Ironically, her favorite Wiggles video is Wiggles Safari with Steve Irwin and his family.
I also sing her the Kookaburra song. I think I've passed on some good things to her. None of which would have come into my life if it wasn't for a 13 year old girl, now a lovely woman, named Christina.
Thankfully, I kept notes of my trip to Australia. A lot of those memories became the basis of my third screenplay, A Kangaroo in the Hand. Maybe one day it will make it to the screen and reach over to Tina as well.
For now, I will concentrate on my rewrite of it. It was Tina, after all, who after seeing Point Break said (about the actor in the final scene), "That was the worst Australian accent I ever heard." I want to do this one right. I don't want to let her. . .or my other Ozzie mates. . . down.
Kookaburra sits on the old gum tree
Merry, merry king of the bush is he
Laugh! Kookaburra! Laugh! Kookaburra!
Gay your life must be. . .
Please check out my novel Luke Aloysius:  Bloodline on Amazon: