Writer's Blog

Showing posts with label Query letters. Show all posts
Showing posts with label Query letters. Show all posts

Saturday, October 10, 2009

The Almighty Second Opinion


Today I focused on query letters. I'm being very specific who I send my work to. I want a smaller literary agency with less clients so that I can really get to know my agent. I don't want to get lost in the shuffle. I spent the day perfecting individual query letters tailored to individual hand-chosen agents based on clients that they have already represented. If I like their client's work, I feel these agents will appreciate my work as well. I do not waste time or postage on blindly sending out queries to agents that may or may not even work with screenplays. Always research who you are sending your work to.
I wrote up two specific query letters to start with. The next step is the second opinion or the proofreader. You should always have someone honest to read your work and give honest feedback to you. If you don't have anyone you can think of, take a writing class in your area of expertise and ask the teacher for feedback. With queries and a lot of my other work, I always go to the same two people (don't laugh, I have a method): Mom and Dad.
The reason why I go to Mom and Dad is two-fold. As individuals, they provide different versions of feedback for me.
Dad worked as a supervisor at ITT/Defense Communications Divison for 40 years and did hiring and firing. He read tons of resumes and cover letters. He also loves action/adventure and war films, is a former member of the Air National Guard, and is a history buff who would be the ulimate lifeline for any Who Wants To Be A Millionaire? contestant. He is my technical advisor many times when I'm writing anything that has to do with the military, history, or warfare. When he reads a cover letter, he gives me a lot of information. He looks to see if he can tell me what the story is based on my brief description (the one paragraph pitch). He looks to see if he'd hire me as a writer based on my writing skills and credetials. Finally, he makes sure I have my facts straight.
Mom, on the other hand, is my literary right hand. She is the second pair of eyes I need when I can no longer stand to read through a page looking for spelling and grammar. My mother never went to college. She was the oldest of three and her two younger brothers were expected to go to college because they were expected to take care of a family. In those days, she was expected to marry and be taken care of and, in turn, take care of her husband and family. (That was the 50's, baby. . .) It didn't stop my mother from becoming a prolific reader and lover of words. She reads, on average, a novel a night. (Is there any doubt as to how her daughter became an English teacher and writer?) I always thought that if Mom had the chance, she would have made an outstanding English Lit. teacher. She had me reading before Kindergarden. But, I digress. Mom is one of my readers because she can find all the missing commas, misspellings, homonyms, grammatical errors, and general stupidity that my fried little brain may have missed during final revisions. She also re-tells me my story to make sure its clear. And, when I'm working on comedy, Mom is the best critic because she has an outstanding sense of humor. She knows what works and what doesn't.
I do have other people who read for me as well. Most of them are close friends and family members. I do this because I know they'll be honest with me. If something isn't working, they'll tell me. They'll also be specific about what they like. I'm blessed to have them.
What's the best part of asking for the second opinion? When they ask you what else you're working on when they're finished. . . and if they can read that too. That's when you know you're on to something.
Please check out my novel Luke Aloysius:  Bloodline on Amazon:

Thursday, October 1, 2009

Sense Memory, Queries, and the Mob

Today I went to the eye doctor for a regular checkup. It had gotten to that point again where I was having trouble reading street signs until I was right on top of them. The fun part about the trip to the eye doctor, as you may know, is the eye dilation drops. Love those things. Of course, they sting going in (and who doesn't love the sensation of stinging eyes?) and the dilation does not go away for hours. So for the rest of the day you look like Hootie the Owl, perpetually scared, or hopped up on some wierd drug. As you drive home from the eye doctor, you pray you are not pulled over for weaving (as you cannot quite see through the blurry vision where the double line actually is) because you just know the officer will take one look at your wide, wide Hootie eyes and drag you in for a drug test.
What does any of this have to do with writing? Well, everything. First, it delayed my blogging for today as I had to rush around like the proverbial chicken without a head to get things done and get to the doctor's on time (only to "hurry up and wait" for two hours). When I came home, my friend, the lovely Tracie had emailed me asking where my post was today because she missed it. (I have a fan?!!) Third, and here's where it's really relevant, it's all sense memory.
Ah, if you are an actor, you are smiling and saying, "Oh, of course I can use that in my writing!" If you're not an actor, you may be saying, "A what-the-who?" Sense memory is an acting technique where an actor recreates something that isn't there from remembering or recalling their personal experiences. For example, watch a mime. They are all about sense memory: where's the box? Here's the box and I'm trapped in it! Look, I'm playing baseball and I'm giving you the ball and I want you to throw it to me. . . Some brilliant actors who utilize sense memory are Robin Williams (who was a mime), John Leguizamo, and even Kathy Griffin.
Remembering these seemingly ridiculous and insignificant events in our lives can become the cornerstone of major comedy skits or scenes. Just think of the classic T.V. episode of The Carol Burnett show where Tim Conway is a dentist and Harvey Korman is the patient and Conway keeps injecting himself with novocaine. Although this scene was mostly improvised, I dare anyone to watch it without laughing.
Writers should note these insignificant events in life. Want to complicate a character's life in a story? If he has to get to somewhere fast, let him find out after he's been dilated at the eye doctor's office and its a bright, sunny day. And the police are looking for someone who just robbed a pharmacy.
Utilize the events in your life that drive you loco at the doctor's office, at the DMV, mall shopping during the holidays. . . Next time you feel yourself having an emotional reaction to something, positive or negative, make a note of it.  It will strengthen one of your stories. .. 
Please check out my novel Luke Aloysius:  Bloodline on Amazon: